Film Music Site (Espa�ol) - Explosion. Colpo di mano Soundtrack (Gianni Marchetti)

#	Pista	Duraci�n
1.	Ta-Bum Balaba	2:45
2.	Il Silenzio Della Guerra	1:43
3.	Ballata Per Una Vendetta E Il Silenzio Della Guerra	2:36
4.	L'Ora Del Sacrifico	2:20
5.	Per Una Notte Chiara	1:58
6.	Il Momento Dei Fucili	0:57
7.	Ta-Bum Balaba 2	2:24
8.	La Sua Guerra	1:05
9.	Marcia Per Un Sergente	2:00
10.	Il Silenzio Della Guerra E La Sua Guerra	2:30
11.	Largo Incantato	1:31
12.	Il Silenzio Della Guerra	2:23
13.	Drammatica Suspence	1:47
14.	Il Silenzio Della Guerra	1:54
15.	Marcia Per Un Sergente	1:02
16.	Ta-Bum Balaba 3	2:38
17.	Ta-Bum Balaba	2:18
18.	Il Silenzio Della Guerra	2:15
19.	Il Momento Dei Fucili	1:29
20.	Il Silenzio Della Guerra	5:06
21.	La Sua Guerra	2:47
22.	Ta-Bum Balaba	4:27
23.	Il Silenzio Della Guerra	8:32
24.	Ta-Bum Balaba	4:29
		62:55

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Marchetti�s score is made up of a handful of principal themes, the composer utilising these as a foundation and building upon there simple but effective content and developing and expanding them further as the work progresses. Given the subject matter of the movie, which is an action/war film set during the Spanish civil war and tells the story of a group of soldiers who have been given a dangerous mission to blow up a bridge over the river Ebro the score contains a number of references to martial music although these never develop into what is full blown or bombastic sounding marches, Marchetti creating the atmosphere by more subtle and subdued instrumentation which hints at a militaristic style. It also has within its make up Hispanic sounding nuances and sounds which add a certain authenticity to the proceedings. Castanets and solo guitar being utilized at key points within the score. Choir also plays a major role within the work, and on this particular score we have the vocalising of two, I Cantori di Basilliche Roma and Nora Orlandi�s excellent and distinctive 4+4 Coro, the style employed by Marchetti with the choral writing is very reminiscent of some of the early works of Ennio Morricone.
Marchetti also adds little trills and musical punctuation marks along the way in the form of jaws harp, strummed guitar, plaintive woodwind solos and an almost eerie sounding female vocal which although is not a solo or centre stage performance adds great atmosphere and depth to the soundtrack. There are also performances from the stock instrumentation of the Italian film score, ie, racing snare drums, chimes, tubular bells, bass guitar, piano, electric guitar and harpsichord which all at some point within the score make their contribution and leave their mark, and if all this great music is not enough then we have the added presence of another Italian Maestro, Stelvio Cipriani who conducts the score. This is again another formidable release from GM/HILLSIDE and one that should be in every Italian film music fans collection, great music and great presentation; all I can say is More Marchetti please�..and go an get this now.
24 tracks (including 8 bonus-tracks)