The Wild Party
Original Broadway Cast 2000


Musical | Fecha de estreno: 23/05/2000 | Medio: CD, Descarga
 

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# Pista Artista/Compositor Duración
1.Queenie Was A BlondeToni Collette3:10
2.Marie Is TrickyMandy Patinkin2:06
3.Wild PartyToni Collette4:34
4.DryMarc Kudisch1:32
5.Welcome To My PartyToni Collette2:32
6.Like SallyJane Summerhays1:46
7.Breezin' Through Another DayMarc Kudisch2:03
8.UptownNathan Lee Graham1:38
9.Eddie & MaeNorm Lewis2:43
10.Gold & GoldbergAdam Grupper1:16
11.Moving UptownEartha Kitt2:46
12.Best FriendToni Collette1:50
13.A Little MmmNathan Lee Graham2:07
14.Tabu / Taking Care Of The LadiesMichael McElroy4:26
15.Wouldn't It Be Nice?Mandy Patinkin3:03
16.Lowdown-DownToni Collette3:04
17.Gin / WildMandy Patinkin6:56
18.Black Is A MoocherTonya Pinkins2:44
19.People Like UsToni Collette4:22
20.After Midnight DiesSally Murphy1:38
21.Golden BoyNorm Lewis2:24
22.The Movin' Uptown BluesAdam Grupper2:47
23.The Lights Of BroadwayBrooke Sunny Moriber1:23
24.MoreMarc Kudisch1:43
25.Love Ain't Nothin'/ Welcome To Her PartyTonya Pinkins2:31
26.How Many Women In The World?Mandy Patinkin2:37
27.When It EndsEartha Kitt2:43
28.This Is What It IsToni Collette1:59
29.FinaleToni Collette3:34
 77:57
Manda tu crítica

 

Ever since he emerged in the 1990s as one of Broadway's brightest hopes, the young and prolific composer-lyricist Michael John LaChiusa has been charged with the undeniably Sisyphean task of revitalizing the moribund musical. Along with such Tony-nominated efforts as 1999's Marie Christine--his Americanized retelling of the Medea tragedy--LaChiusa has managed to galvanize the genre with The Wild Party. Curiously enough, Joseph Moncure March's once-banned narrative poem of Prohibition-era decadence is the basis for two vastly different musicals produced within the same season (the other being Andrew Lippa's off-Broadway show at Manhattan Theatre Club). LaChiusa's work, which was produced by the Public Theatre's visionary director George C. Wolfe (who also collaborated on the book), kick-starts the new century with a manic, many-leveled, viciously satirical portrait--both brilliantly period and postmodern--of jazz-era alienation, sketching its 'sexually ambitious' and 'ambi-sextrous' promenade of characters with bold, flinty strokes. In addition to the 1928 poem, it seems equally inspired by The Threepenny Opera, Stephen Sondheim's dark humors, even Ann Douglas's cultural history, Terrible Honesty: Mongrel Manhattan in the 1920s. LaChiusa depicts the party-turned-nightmare trajectory of the story through complex, polystylistic counterpoint, as well as such searingly straightforward numbers as 'After Midnight Dies'; even the orchestrations (by Bruce Coughlin) are fantastically detailed and allusive. Mandy Patinkin is made to draw on his full repertory of shticks and gives a wildly over-the-top characterization of the vaudeville clown Burrs, while Toni Collette (an Oscar nominee for The Sixth Sense), playing his unhappy lover Queenie who throws this mother of all parties, plays against him with toxic, combustible energy. For all the star turns here (including some economical but superbly effective cameos by Eartha Kitt), it's the unflappable ensemble that keeps this party going till the bitter end.


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