Henry Mancini Playboy Themes
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| # | Pista | Duración | |
|---|---|---|---|
| 1. | Sidewalks Of Cuba | ||
| 2. | A Powdered Wig | ||
| 3. | Playboy's Theme | ||
| 4. | Bijou | ||
| 5. | A Cool Shade Of Blue | ||
| 6. | Snowfall | ||
| 7. | Free And Easy | ||
| 8. | Dreamsville | ||
| 9. | A Profound Gass | ||
| 10. | Goofin' At The Coffee House | ||
| 11. | Mr. Lucky 2.12 | ||
| 12. | Softly 2.44 | ||
| 13. | March Of The Cue Balls 3.15 | ||
| 14. | Mr. Lucky (Goes Latin) | ||
| 15. | Lujon | ||
| 16. | Blue Mantilla | ||
| 17. | Susan | ||
| 18. | Moon Talk | ||
| 19. | High Time | ||
| 20. | Something For Cat | ||
| 21. | Holly | ||
| 22. | The Great Impostor | ||
| 23. | Bachelor In Paradise | ||
| 24. | The Soft Touch | ||
| 25. | Flutter's Ball | ||
| 26. | Experiment In Terror | ||
| 27. | The Days Of Wine And Roses (Vocal) |
• Enrico Nicola Mancini. Orchestral craftsman. Melodic genius. Seventy-two Grammy Nominations, twenty wins...eighteen Oscar nominations, four wins... two Emmys, a Golden Globe, a Grammy Lifetime award.
• Although he was hired as a pianist and arranger for Glenn Miller's post-war band and was a busy in-house arranger for Universal films from the early fifties (contributing to or completing an estimated 100 scores), it was 1958 before Mancini really exploded onto the scene with his searing Afro-Cuban style score for Orson Welles' film noir Touch of Evil, the director's still underrated masterpiece of murder, kidnapping, and police corruption in a Mexican border town, and also with the irresistible chart-topping swinger-jazz he composed for NBC's crime-battling Peter Gunn, a nationwide TV hit created by Blake Edwards, the film director, screenwriter, producer and former Universal editor with whom 'Hank' was to enjoy a long and fruitful association.
• Playboy Themes is an anthology of Mancini's trailblazing output from the 1958 landmarks to the end of 1962, taking in music from both 'Gunn' and its sequel Mr. Lucky with which Mancini and Edwards revolutionised the whole concept of television music, and a raft of successful early film collaborations between the two men; Breakfast At Tiffany's (starring Audrey Hepburn and George Peppard), High Time (Bing Crosby and Tuesday Weld), Experiment In Terror (Lee Remick and Glenn Ford) and in a nice change of pace for Mancini, a dramatic picture, The Days of Wine and Roses (Lee Remick and Jack Lemmon) which, like Tiffany's and Moon River was boosted by a themesong co-composed by Henry Mancini and Johnny Mercer.
• In addition to Touch of Evil (Charlton Heston and Janet Leigh), Mancini themes from some other, non-Blake Edwards pictures are also featured, including from Howard Hawks' Hatari! (John Wayne and Elsa Martinelli), Robert Mulligan's The Great Impostor (Tony Curtis and Karl Malden) and Jack Arnold's Bachelor In Paradise (Bob Hope and Lana Turner)
• Although he was hired as a pianist and arranger for Glenn Miller's post-war band and was a busy in-house arranger for Universal films from the early fifties (contributing to or completing an estimated 100 scores), it was 1958 before Mancini really exploded onto the scene with his searing Afro-Cuban style score for Orson Welles' film noir Touch of Evil, the director's still underrated masterpiece of murder, kidnapping, and police corruption in a Mexican border town, and also with the irresistible chart-topping swinger-jazz he composed for NBC's crime-battling Peter Gunn, a nationwide TV hit created by Blake Edwards, the film director, screenwriter, producer and former Universal editor with whom 'Hank' was to enjoy a long and fruitful association.
• Playboy Themes is an anthology of Mancini's trailblazing output from the 1958 landmarks to the end of 1962, taking in music from both 'Gunn' and its sequel Mr. Lucky with which Mancini and Edwards revolutionised the whole concept of television music, and a raft of successful early film collaborations between the two men; Breakfast At Tiffany's (starring Audrey Hepburn and George Peppard), High Time (Bing Crosby and Tuesday Weld), Experiment In Terror (Lee Remick and Glenn Ford) and in a nice change of pace for Mancini, a dramatic picture, The Days of Wine and Roses (Lee Remick and Jack Lemmon) which, like Tiffany's and Moon River was boosted by a themesong co-composed by Henry Mancini and Johnny Mercer.
• In addition to Touch of Evil (Charlton Heston and Janet Leigh), Mancini themes from some other, non-Blake Edwards pictures are also featured, including from Howard Hawks' Hatari! (John Wayne and Elsa Martinelli), Robert Mulligan's The Great Impostor (Tony Curtis and Karl Malden) and Jack Arnold's Bachelor In Paradise (Bob Hope and Lana Turner)