Something's Gotta Give
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| # | Pista | Artista/Compositor | Duración |
|---|---|---|---|
| 1. | On the Street Where You Live from My Fair Lady (1956) | Frederick Loewe (1901-1988) | 3:17 |
| 2. | So in Love from Kiss Me, Kate (1948) | Cole Porter (1891-1964) | 2:32 |
| 3. | Night and Day from Gay Divorce (1932) | Cole Porter (1891-1964) | 4:00 |
| 4. | People Will Say We're in Love from Oklahoma! (1943) | Richard Rodgers (1902-1979) | 4:13 |
| 5. | When Did I Fall in Love? from Fiorello! (1959) | Jerry Bock (1928-2010) | 4:01 |
| 6. | Reviewing the Situation from Oliver! (1960) | Lionel Bart (1930-1999) | 6:06 |
| 7. | All the Things You Are from Very Warm for May (1939) | Jerome Kern (1885-1945) | 3:33 |
| 8. | Soliloquy from Carousel (1945) | Richard Rodgers | 8:04 |
| 9. | Something's Gotta Give from Daddy Long Legs (1955) | Johnny Mercer (1909-1976) | 7:05 |
| 10. | Stranger in Paradise from Kismet (1953) | George Forrest (1915-1999) | 4:20 |
| 11. | It Might as Well Be Spring from State Fair (1945) | Richard Rodgers | 3:57 |
| 12. | The Girl Next Door from Athena (1954)/Meet Me in St. Louis (1944) | Hugh Martin (1914-2011) | 3:37 |
| 13. | It's Magic from Romance on the High Seas (1948) | Jule Styne (1905-1994) | 2:51 |
| 14. | Oh, What a Beautiful Mornin' from Oklahoma! | Richard Rodgers | 2:45 |
| 15. | If I Were a Rich Man from Fiddler on the Roof (1964) | Jerry Bock | 5:37 |
| 16. | If I Loved You (Bench Scene) from Carousel | Richard Rodgers | 8:38 |
| 74:36 |
To this day, music from classic Broadway and Hollywood musicals continues to enjoy immense popularity with audiences and performers alike. Here Simon Keenlyside, one of the worlds most charismatic and sought-after operatic baritones, presents Somethings Gotta Give, an album devoted to songs from musicals songs that require every bit as much attention to text and interpretation as Lieder, and often the same mastery of vocal technique as operatic arias. Scarlett Strallen, a regular presence on West End and Broadway stages, partners Keenlyside in duets and sings two numbers on her own. They are joined by David Charles Abell conducting the BBC Concert Orchestra in original orchestral arrangements, a number of which have been specially restored for this recording.