# | Pista | Duración | ||
---|---|---|---|---|
Score Presentation | ||||
1. | Logo / Main Title | 2:28 | ||
2. | 2 1/2 Miles Down | 10:33 | ||
3. | To the Keldysh / Rose Revealed | 1:43 | ||
4. | Distant Memories | 2:24 | ||
5. | My Drawing / Relics & Treasures | 1:52 | ||
6. | Southampton | 4:00 | ||
7. | Leaving Port | 3:27 | ||
8. | Take Her to Sea, Mr. Murdoch | 4:31 | ||
9. | First Sighting / Rose’s Suicide Attempt | 3:05 | ||
10. | Jack Saves Rose | 1:42 | ||
11. | The Promenade / Butterfly Comb | 2:40 | ||
12. | Rose | 2:54 | ||
13. | The Portrait | 1:58 | ||
14. | Lovejoy Chases Jack and Rose | 2:24 | ||
15. | Lovemaking | 2:26 | ||
16. | Hard to Starboard (Extended Version) | 7:42 | ||
17. | Rose Frees Jack | 2:41 | ||
58:30 |
# | Pista | Duración | ||
---|---|---|---|---|
Score Presentation (continued) | ||||
1. | A Building Panic (Film Version) | 7:25 | ||
2. | Unable to Stay, Unwilling to Leave | 3:56 | ||
3. | Trapped on “D” Deck | 8:46 | ||
4. | Murdoch’s Suicide | 0:37 | ||
5. | The Sinking | 5:06 | ||
6. | Death of Titanic | 8:25 | ||
7. | A Promise Kept | 6:03 | ||
8. | A Life so Changed | 2:14 | ||
9. | A Woman’s Heart Is a Deep Ocean of Secrets | 1:43 | ||
10. | An Ocean of Memories | 8:00 | ||
11. | Post | 2:44 | ||
54:58 |
# | Pista | Duración | ||
---|---|---|---|---|
Additional Music and Alternates | ||||
1. | Never an Absolution | 3:06 | ||
2. | Trailer | 4:12 | ||
3. | The Portrait (Album Version) | 4:43 | ||
4. | Logo (Alternate Extended Version) | 2:10 | ||
5. | 2 1/2 Miles Down (Alternate) | 1:36 | ||
6. | Southampton (Alternate) | 3:05 | ||
7. | Leaving Port (with Alternate Ending) | 3:00 | ||
8. | Leaving Port (Alternate) | 2:15 | ||
9. | Take Her to Sea, Mr. Murdoch (Alternate) | 4:29 | ||
10. | Rose (Alternate) | 2:58 | ||
11. | Piano Theme—The Portrait | 5:00 | ||
12. | Lovejoy Chases Jack (Alternate) | 1:55 | ||
13. | Hard to Starboard (Alternate) | 6:50 | ||
14. | A Building Panic (Album Suite) | 8:05 | ||
15. | Death of Titanic (Alternate) | 8:29 | ||
16. | A Promise Kept (Alternate) | 4:32 | ||
17. | Hymn to the Sea | 6:26 | ||
72:51 |
# | Pista | Artista/Compositor | Duración | |
---|---|---|---|---|
Source music | ||||
1. | Valse Septembre | I Salonisti | 3:43 | |
2. | Marguerite Waltz | I Salonisti | 2:34 | |
3. | Wedding Dance | I Salonisti | 2:30 | |
4. | Poet and Peasant | I Salonisti | 6:48 | |
5. | Blue Danube | I Salonisti | 6:55 | |
6. | Song Without Words | I Salonisti | 2:37 | |
7. | Estudiantina | I Salonisti | 3:11 | |
8. | Oh, You Beautiful Doll | William Ross | 2:12 | |
9. | Blarney Pilgrims | Gaelic Storm | 2:11 | |
10. | John Ryan’s Polka | Gaelic Storm | 2:53 | |
11. | Kesh Jig | Gaelic Storm | 1:59 | |
12. | Drowsy Maggie Dance | Gaelic Storm | 1:22 | |
13. | Come Josephine in My Flying Machine | William Ross | 1:46 | |
14. | The Merry Widow | William Ross | 1:30 | |
15. | Méditation de Thaïs | I Salonisti | 4:25 | |
16. | Vision of Salome | I Salonisti | 2:42 | |
17. | Titsy Bitsy Girl | I Salonisti | 1:35 | |
18. | Alexander’s Ragtime Band | I Salonisti | 2:28 | |
19. | Sphinx | I Salonisti | 3:48 | |
20. | Barcarole | I Salonisti | 3:31 | |
21. | Orpheus | I Salonisti | 8:40 | |
22. | Song of Autumn | I Salonisti | 3:53 | |
23. | Nearer My God to Thee (Extended Version) | I Salonisti | 3:14 | |
76:27 |
Agregada en Viernes, 24 Noviembre, 2017
Entre las joyas, scores de Leslie Bricusse, James Horner y John Williams
Cinco maravillosas ediciones de lujo del sello más destacable del momento: La-La Land. Es difícil destacar una entre las cinco, pues todas ellas destacan por sí solas. Por un lado, la edición 40 aniversario de 'Encuentros en la Tercera Fase' de John Williams, coincidiendo con su reciente salida al mercado de la versión 4K de la película. En segundo lugar, la edición 20 aniversario del ya clásico 'Titanic' del añorado James Horner, que incluye, nada más y nada menos, que 4 CD. En tercer lugar, el score rechazado por Francis Ford Coppola para 'Apocalipsis now', escrito por David Shire. Además, edición completa del extraordinario trabajo de Leslie Bricusse para 'El estravagante Doctor Dolittle'. Finalmente, el enérgico score de David Arnold para 'Muere otro día'.